The songs on the album have an average of three to five samples each (source: Whosampled). So not only is Sublime telling us how important the punk they listen to is to them, and thus their music, but an actual piece of this punk makes its way into their own, original music. It is a sample of the punk band Minutemen’s “History Lesson Part 2,” off of their 1984 classic, Double Nickels on the Dime. On top of that, a tuned-in Sublime fan will notice that the voice speak-singing the album’s first line is not lead singer Bradley Nowell’s. If a person was tasked with assigning a single genre to Sublime, cross-listings like ska-punk disallowed, punk would be the best choice. The message is true: punk plays perhaps the greatest role of any genre on Sublime’s 23-track walk through punk, hip-hop and a variety of subsets of Jamaican music, among others. Right off the bat, it gives you an idea about how deeply the band’s influences affected its music. “Punk rock changed our lives,” is the opening line of 40oz. The interlinked position of being a fan and a creator of culture shows that a function of culture is to provide an opportunity for new artistic creations. Regardless, elements of the original artwork are so deeply ingrained in the “second generation” of artwork–which, of course, is a misnomer, since the “original” artwork was also inspired and influenced by other works–that removing the “original” artwork from existence would drastically change, and perhaps erase, the “second generation” of it. The fan’s art can be a continuation of the style and form of the original artists, or it can be a new take on it, as is the case with 40oz. to Freedom, shows how art can inspire and influence the art of its fans. Many great artists are also great fans of art.
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